How Historical Materialism Shaped (and Was Exiled From) Popular Music Studies
Popular music studies has often defined itself against Marxism. By tracing the field’s “foundational trauma” with Theodor Adorno and the enduring influence of Stuart Hall’s materialism, this analysis shows how the discipline exiled historical materialism while unknowingly relying on its framework. From early works by Dave Laing and Simon Frith to the battleground of punk scholarship, discover what was lost when culture triumphed over class in pop music research.