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Franz Schubert's Impromptus, D. 935, also known as the Impromptus Op. 142, are a set of four solo piano pieces composed in 1827, shortly before Schubert's death. Here are some interesting facts about these compositions:

1. Title and Origin:

   • The term "Impromptu" suggests a sense of improvisation, and Schubert used it to describe these pieces that have a spontaneous and unrestrained character.
   • Originally, Schubert did not assign any specific titles to the four Impromptus. However, later publishers provided individual titles: No. 1 in F minor, Op. posth. 142/1, is often titled "Allegro moderato"; No. 2 in A-flat major, Op. posth. 142/2, is titled "Allegretto"; No. 3 in B-flat major, Op. posth. 142/3, is titled "Theme and Variations," and No. 4 in F minor, Op. posth. 142/4, is titled "Allegro Scherzando."

2. Late Compositions:

   • Schubert composed the Impromptus during the final months of his life. They are considered part of his late works, showcasing a mature and introspective style.
   • These compositions are contemporaneous with some of Schubert's other masterpieces, such as the final three piano sonatas and the famous song cycle "Winterreise."

3. Variety of Expression:

   • Each Impromptu in the set has its own distinct character, from the melancholic and dramatic first Impromptu in F minor to the lively and playful fourth Impromptu in F minor.
   • The third Impromptu, in B-flat major, features a set of variations on a charming theme, providing a contrasting mood within the collection.

4. Posthumous Publication:

   • Schubert did not live to see the publication of these Impromptus. They were published posthumously in 1839 by Diabelli, seven years after the composer's death.
   • The set gained popularity and recognition in the years following their publication, contributing to Schubert's posthumous reputation as a master composer.

5. Influence and Legacy:

   • Schubert's Impromptus, along with his other piano works, had a profound influence on later composers, including Johannes Brahms and Franz Liszt.
   • The expressive depth and harmonic richness found in these Impromptus continue to captivate performers and audiences, making them enduring pieces in the classical piano repertoire.