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Johann Sebastian Bach's English Suite No. 3 in G minor, BWV 808, is a keyboard suite composed for harpsichord. Here are some interesting facts about this piece:

1. Composition Date: Bach likely composed the English Suite No. 3 in the early 1720s during his tenure in Köthen.

2. Structure: The suite follows the typical structure of a Baroque dance suite, consisting of a prelude followed by a sequence of dances, such as allemandes, courantes, sarabandes, and gigues.

3. Key Signature: The suite is in G minor, a key known for its expressive and sometimes melancholic character.

4. Contrapuntal Mastery: As with many of Bach's works, the English Suite No. 3 showcases his exceptional contrapuntal skills. The counterpoint, or interweaving of musical voices, is a hallmark of Bach's style.

5. Expressive Sarabande: The sarabande in this suite is often noted for its emotional depth and expressiveness. Sarabandes were slow, stately dances, and Bach frequently used them as opportunities for introspection and musical exploration.

6. Prelude Character: The prelude that opens the suite is a lively and intricate piece. It sets the stage for the subsequent dances and displays Bach's technical prowess.

7. Keyboard Technique: Like many of Bach's keyboard works, the English Suite No. 3 demands a high level of technical skill from the performer. The intricate ornamentation and fast passages require a pianist or harpsichordist with a strong command of keyboard technique.

8. Legacy: While Bach's keyboard suites, particularly the French and English Suites, were not as well-known during his lifetime as his larger choral and organ works, they have since gained recognition for their beauty and significance in the Baroque keyboard repertoire.

The English Suite No. 3 in G minor is a fascinating example of Bach's keyboard writing, showcasing his mastery of form, expression, and contrapuntal complexity.