We have a collection of 2 arrangements for J.S. Bach - Schau, lieber Gott, wie meine Feind, BWV 153
Why did Bach structure this cantata with only two arias, despite its nine movements? Learn!
Who's behind the notes? Discover Johann Sebastian Bach: Master of Baroque Music
"Schau, lieber Gott, wie meine Feind, BWV 153" is a cantata composed by Johann Sebastian Bach. Here are some interesting facts about this piece:
Composition Date: Bach composed "Schau, lieber Gott, wie meine Feind" in 1724 during his second year as Thomaskantor in Leipzig. It was written for the 21st Sunday after Trinity.
Liturgical Context: The cantata is part of Bach's larger body of work for the liturgical calendar. Each of his cantatas was specifically written for a particular Sunday or feast day within the Lutheran church calendar.
Text Source: The libretto for BWV 153 is attributed to an unknown author, possibly Salomon Franck. It reflects on the themes of trusting in God and seeking protection from enemies, aligning with the liturgical readings for the 21st Sunday after Trinity.
Structure: The cantata is structured in typical Baroque fashion, with opening and closing choruses, arias, and recitatives. The movements convey a blend of textual and musical expression, illustrating the themes of the text.
Chorale Usage: Like many of Bach's cantatas, "Schau, lieber Gott, wie meine Feind" incorporates chorale elements. The final movement is often a chorale setting, providing a sense of unity and closure to the work.
Musical Features: The composition showcases Bach's mastery of counterpoint, intricate harmonies, and expressive melodic lines. The arias and choruses are characterized by rich orchestration and a profound understanding of the text.
Surviving Manuscripts: The original manuscript of BWV 153 is lost, but the work is known to us through later copies. These copies help modern musicians and scholars reconstruct the piece and understand its performance practices.
Recordings and Performances: "Schau, lieber Gott, wie meine Feind" has been recorded and performed by numerous ensembles and musicians worldwide. These performances contribute to the ongoing appreciation of Bach's extensive choral and vocal repertoire.