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Cadence: Don't Drop That Thun Thun

Let's talk about musical cadences, which are melodic or harmonic progressions that create a sense of resolution or conclusion in music. Here are some interesting facts about cadences:

  1. Perfect Cadence:

    • Often referred to as an "authentic cadence," the perfect cadence is one of the most common and satisfying cadences.
    • It involves a progression from the V (dominant) chord to the I (tonic) chord, creating a strong sense of resolution.
  2. Imperfect Cadence:

    • This cadence occurs when a phrase ends on the V (dominant) chord rather than resolving to the I (tonic) chord.
    • It leaves the listener with a feeling of partial resolution, as if there's more to come.
  3. Plagal Cadence:

    • Also known as the "Amen cadence," it involves a progression from the IV (subdominant) chord to the I (tonic) chord.
    • Commonly found in hymns and has a more subdued, peaceful sound compared to the perfect cadence.
  4. Deceptive Cadence:

    • This cadence subverts the listener's expectation by resolving to a chord other than the expected tonic chord.
    • The V (dominant) chord might unexpectedly move to a vi (submediant) or another chord, creating a surprising twist.
  5. Half Cadence:

    • A cadence that concludes on the V (dominant) chord, giving a sense of suspension and leaving the music sounding unfinished.
    • Often used to create tension and anticipation, as it begs for resolution.
  6. Picardy Third:

    • In a Picardy third, a piece in a minor key concludes with a major chord instead of the expected minor chord.
    • This unexpected major resolution can add a touch of brightness and surprise.
  7. Landini Cadence:

    • Named after the medieval composer Francesco Landini, this cadence involves a special ornamentation where the leading tone is approached by a lower neighbor note.
  8. Tierce de Picardie:

    • Similar to the Picardy third, this refers to the use of a major third instead of a minor third in the final chord of a piece, regardless of the mode.
  9. Phrygian Cadence:

    • Commonly found in flamenco and Spanish music, this cadence involves a progression from the ♭II (Neapolitan chord) to the ♭III chord, creating a distinctive and exotic sound.

Understanding these cadences and their nuances can greatly enhance one's appreciation of musical compositions across various genres.

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