Scoreload

"Wolfgang Amadeus Mozart - Leck mich im Arsch, K 231" is a canon written by Mozart, and its title can be translated to English as "Lick me in the ass." Here are some interesting facts about this composition:

1. Unconventional Title:

   • The title of the canon is quite unconventional and might raise eyebrows. However, it's important to note that the phrase "Leck mich im Arsch" was a vulgar expression in Mozart's time but has been interpreted in various ways, including as a humorous or cheeky remark.

2. Playful and Humorous Nature:

   • The canon is known for its playful and humorous character, reflecting Mozart's penchant for wit and satire. Mozart composed several canons with lighthearted and sometimes comical themes.

3. Composed for Friends:

   • Mozart wrote this piece for his close circle of friends. The canons he composed for his friends often contained humorous or inside jokes that would have been understood and appreciated by those in his social circle.

4. Musical Structure:

   • Musically, "Leck mich im Arsch" is a simple three-voice canon. The piece features a catchy melody and demonstrates Mozart's ability to create engaging and entertaining compositions even in seemingly unconventional contexts.

5. Alternative Titles:

   • Mozart composed multiple canons with similar themes but different titles. Some alternative titles for similar compositions include "Leck mir den Arsch fein recht schön sauber" (Lick my arse right well and clean) and "Leck mir den Arsch, ich leck dir dein Gesicht" (Lick my arse, I'll lick your face).

6. Rediscovery in Pop Culture:

   • Over the years, Mozart's canons, including "Leck mich im Arsch," have found their way into popular culture. Some modern musicians and artists have explored and reinterpreted these pieces, bringing Mozart's playful spirit to new audiences.

It's essential to approach Mozart's compositions with an understanding of the cultural context of the time and appreciate the diversity of his work, which includes both serious and lighthearted compositions.