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Johann Sebastian Bach - Nimm mich mir und gib mich dir, BWV 163

"Nur jedem das Seine, BWV 163," is a sacred cantata composed by Johann Sebastian Bach, likely in 1715 or 1716 during his time in Weimar. Here are some interesting facts about this particular piece:

  1. Meaning of the Title: "Nur jedem das Seine" translates to "To each only what is due to them." It's a phrase that can be interpreted in various ways, potentially referencing justice or fair treatment.

  2. Cantata Structure: BWV 163 is structured in seven movements: an opening chorus, alternating arias and recitatives, and concluding with a chorale. This structural format was common in Bach's cantatas.

  3. Librettist: The libretto of BWV 163 is attributed to Salomon Franck, who frequently collaborated with Bach during his time in Weimar. Franck provided texts for several of Bach's cantatas from this period.

  4. Musical Themes: As with many of Bach's cantatas, BWV 163 contains various musical motifs and themes that are used to convey the text's emotional and spiritual content. The music reflects the mood and meaning of the lyrics.

  5. Instrumentation: The cantata is scored for four vocal soloists (soprano, alto, tenor, bass), a four-part choir, and a chamber ensemble consisting of strings, continuo (harpsichord and/or organ), and possibly other instruments.

  6. Biblical References: Like numerous other sacred cantatas by Bach, BWV 163 draws on biblical references and teachings, incorporating elements of Christian theology into the text and music.

  7. Performance and Legacy: Though it might not be as well-known as some of Bach's other compositions, BWV 163 still holds significance in the repertoire of Bach's sacred music. Its performance showcases the intricacy and depth of his compositions within the cantata genre.

  8. Reflective of Bach's Style: The cantata demonstrates Bach's mastery in combining complex counterpoint, rich harmonies, and expressive melodies to convey the spiritual message embedded in the text.

"BWV 163 - Nur jedem das Seine" stands as another testament to Bach's compositional brilliance within the realm of sacred music, exhibiting his ability to marry profound theological concepts with masterful musical craftsmanship.

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