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"Gott soll allein mein Herze haben" (God alone shall have my heart), BWV 169, is a church cantata composed by Johann Sebastian Bach. Here are some interesting facts about this composition:

1. Compositional Context: BWV 169 is a church cantata written by Bach for the 18th Sunday after Trinity. It was composed in 1726 during his tenure as Thomaskantor in Leipzig.

2. Liturgical Purpose: Cantatas like BWV 169 were composed as part of Bach's responsibilities for providing music for the Lutheran liturgy. This particular cantata was intended for a specific Sunday in the liturgical calendar.

3. Structure: The cantata is structured in six movements, typical of Bach's cantatas. It includes a variety of musical forms, such as chorales, arias, and recitatives.

4. Theological Themes: The text of BWV 169 reflects theological themes common in Bach's sacred works, expressing devotion to God and a commitment to living a righteous life.

5. Instrumentation: As with many of Bach's cantatas, BWV 169 features a rich orchestration. It includes strings, oboes, bassoon, and continuo, creating a vibrant and expressive musical texture.

6. Chorale Usage: Bach often incorporated chorales into his cantatas. In BWV 169, the final movement is a chorale that serves as a musical summary and reinforcement of the theological message.

7. Aria for Solo Voice: One of the movements in BWV 169 is an aria for alto soloist. This allows for a more intimate and personal expression of the text.

8. Bach's Theological Influence: Bach's sacred works, including cantatas like BWV 169, were deeply influenced by his strong Lutheran faith. The texts often explore aspects of Christian doctrine and piety.

9. Legacy: Despite being one of Bach's less-known works, BWV 169 continues to be performed and studied by musicians and scholars interested in the composer's extensive catalog of sacred music.

"Gott soll allein mein Herze haben" is a testament to Bach's ability to blend profound theological expression with masterful musical craftsmanship.