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"Wer sich selbst erhöhet, der soll erniedriget werden" (He who exalts himself shall be humbled), BWV 47, is a sacred cantata composed by Johann Sebastian Bach. Here are some interesting facts about this particular composition:

1. Composition Date: Bach wrote this cantata in Leipzig in 1726 during his second annual cycle of cantatas.

2. Liturgical Context: "Wer sich selbst erhöhet, der soll erniedriget werden" was composed for the 17th Sunday after Trinity. The text is based on the Gospel of Luke (Luke 14:1–11), where Jesus advises humility.

3. Structure: The cantata is structured into seven movements - an opening chorus, recitatives, arias, and a closing chorale.

4. Challenging Vocal Parts: Like many of Bach's compositions, this cantata features intricate vocal lines and demanding parts for both soloists and choir. The skillful interplay between voices is a hallmark of Bach's choral works.

5. Theological Themes: The theological theme of humility and the consequences of self-exaltation is central to the text. Bach masterfully interprets these themes musically, creating a work that reflects both the biblical narrative and the Lutheran theology of his time.

6. Instrumentation: The cantata is scored for four vocal soloists (soprano, alto, tenor, and bass), four-part mixed choir, and a Baroque orchestra consisting of strings, oboes, and continuo.

7. Unique Characteristics: Each movement showcases Bach's skill in combining expressive melodies, intricate counterpoint, and powerful harmonic progressions. The arias and choruses are particularly notable for their emotional depth and theological insight.

"BWV 47" is just one example of Bach's vast output of sacred music, showcasing his profound understanding of both musical and theological principles.