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"Wer sich selbst erhöhet, der soll erniedriget werden" (He who exalts himself will be humbled), BWV 47, is a sacred cantata composed by Johann Sebastian Bach. Here are some interesting facts about this particular piece:

1. Composition Date: Bach composed this cantata in Leipzig for the 17th Sunday after Trinity. The exact date of composition is believed to be in 1726.

2. Biblical Basis: The text of the cantata is based on the parable of the Pharisee and the Publican from the Gospel of Luke (Luke 18:9-14). The theme revolves around the contrast between pride and humility.

3. Structural Features: The cantata consists of seven movements: an opening chorus, alternating arias and recitatives, and concluding with a chorale. This structure is typical of Bach's sacred cantatas.

4. Basso Continuo: As with many of Bach's works, BWV 47 features the prominent use of basso continuo, a continuous bass line that provides the harmonic framework for the music.

5. Symbolism in the Text: The libretto explores the moral lesson of humility, emphasizing the idea that those who exalt themselves will be humbled. The music effectively complements and enhances the textual themes.

6. Chorale Inclusion: The final movement includes a chorale, a hymn-like section often used by Bach to reinforce the theological message of the cantata. In BWV 47, the chorale is "Wer sich selbst erhöhet" (He who exalts himself).

7. Theological Depth: Bach's cantatas often went beyond musical excellence; they were deeply rooted in theological and spiritual themes. This cantata is no exception, reflecting Bach's profound understanding of the biblical text and his ability to express it musically.

8. Performance Today: Despite being composed centuries ago, BWV 47 is still performed today as part of Bach's extensive choral repertoire, showcasing the enduring quality and relevance of his works.