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However, it's worth noting that the Fugue in G minor, BWV Anh. 101, is no longer attributed to Johann Sebastian Bach. This fugue was previously thought to be composed by Bach, but modern scholarship suggests that it may have been composed by someone else.

Here are some interesting facts about this piece:

1. Attribution Uncertainty: The fugue is part of a collection known as the "Little Preludes and Fugues," and for a long time, it was attributed to Bach. However, scholars now believe that it might have been composed by someone in Bach's circle, possibly one of his sons or a student.

2. Pedagogical Purpose: Like many of Bach's works, this fugue was likely intended for educational purposes. It is written in a contrapuntal style, which means it features the interweaving of independent melodic lines. This style is a hallmark of Bach's compositions and is often used to teach students about counterpoint.

3. Baroque Fugue Structure: The fugue follows the typical structure of a Baroque fugue, with a main subject introduced in one voice and then imitated and developed by other voices. The interplay of voices and the intricate counterpoint showcase Bach's mastery of the fugue form.

4. Musical Characteristics: The Fugue in G minor is characterized by its expressive and somewhat somber mood. The key of G minor is often associated with introspection and melancholy, and Bach skillfully explores these emotions in the piece.

5. Rediscovery: Many of Bach's works, including this fugue, experienced a resurgence in popularity during the 19th century. The revival of interest in Bach's music was spearheaded by composers like Felix Mendelssohn, who helped bring Bach's compositions back into the spotlight.

While the specific details of the composer remain uncertain, the Fugue in G minor, BWV Anh. 101, continues to be appreciated for its musical intricacies and its place in the broader context of Baroque music.