Johann Sebastian Bach - Arioso "Jesus nahm zu sich die Zwölfe", BWV 22

There's an interesting story behind BWV Anh. 22, the Concerto for Oboe and Violin in B-flat major, once attributed to Johann Sebastian Bach. This composition, previously believed to be authored by Bach, is now considered doubtful in terms of its attribution. Scholars have questioned its authenticity due to stylistic differences and lack of concrete evidence linking it directly to Bach.

While the concerto shares some resemblances to Bach's style, it lacks the distinct characteristics and structural elements found in his authenticated works. BWV Anh. 22 remains a part of the BWV Anhang (Anh.) catalogue, where compositions that are possibly Bach's but have uncertain origins or authorship are listed.

This piece was long thought to be lost until a manuscript was discovered in the early 20th century. However, due to the uncertainty surrounding its attribution, it's not frequently performed or studied in the context of Bach's verified compositions. Despite its ambiguous origins, it remains an intriguing piece that sparks discussions among musicologists and enthusiasts regarding Bach's lesser-known works and attributions.