How does Bach blend sacred themes with secular dance rhythms in this aria? Learn!
Who's behind the notes? Discover Johann Sebastian Bach: Master of Baroque Music
This aria is the fourth movement of Bach's cantata BWV 22, composed for his Leipzig audition. Featuring a passepied (French dance) character in 3/8 time, it expresses spiritual joy through vivacious string motifs and a da capo structure. Originally scored for bass voice, oboe, and strings, its dance-like abandon was atypical for sacred works, showcasing Bach's innovative fusion of devotional text with worldly musical forms.