We have a collection of 3 arrangements for Thomas Celanensis - Lacrimosa
How does this modern Lacrimosa reflect the influence of Mozart’s iconic setting while establishing its own identity? Learn!
Franz Liszt's "Confutatis et Lacrimosa, S.550" is a part of his larger work, the "Missa pro defunctis" or "Mass for the Dead." Here are some interesting facts about this composition:
Composition Date: Liszt composed the "Missa pro defunctis" in 1867. It is also known as the "Graner Messe" because it was composed for the consecration of the Gran Church in Hungary.
Unique Approach: Liszt's approach to the "Confutatis" and "Lacrimosa" sections is unique. Instead of adhering strictly to the traditional Latin text, he adds his own expressions, creating a more emotional and dramatic atmosphere.
Choir and Organ: The "Confutatis et Lacrimosa" is scored for choir and organ. Liszt's use of the organ adds a rich and haunting quality to the music, which enhances the emotional impact of the piece.
Connection to Requiem Mass: "Confutatis et Lacrimosa" is part of the Dies Irae sequence within the Requiem Mass. It reflects themes of judgment, sorrow, and supplication for the deceased.
Influence on Later Composers: Liszt's innovative use of harmony and texture in this composition had a profound influence on later composers, particularly in the realm of choral music.
Complex Structure: Liszt's "Missa pro defunctis" is known for its complexity and demands on the performers. It requires a skilled choir and organist to do justice to the intricate harmonies and emotional depth of the piece.
Liturgical Significance: While Liszt's work is highly regarded in the realm of classical music, it's important to note that it was composed for a specific liturgical purpose, the consecration of the Gran Church. This dual nature, as both a sacred and artistic composition, adds to its historical significance.
Resurgence in Popularity: Although not as well-known as some of his other works, "Confutatis et Lacrimosa" and the entire "Missa pro defunctis" have experienced a resurgence in popularity in recent years, as more attention has been given to Liszt's lesser-known compositions.
These facts highlight the significance of Franz Liszt's "Confutatis et Lacrimosa, S.550" within the context of his larger composition, the "Missa pro defunctis," and its impact on both choral music and liturgical music traditions.