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Muse - Hysteria

"Hysteria" is a song by the British rock band Muse. Here are some interesting facts about the song:

  1. Release Date: "Hysteria" was released as the third single from Muse's second studio album, "Absolution," in 2003. It became one of the most popular tracks from the album.

  2. Bass Line: The song is particularly known for its iconic bassline played by Chris Wolstenholme. The bassline is quite intricate and has been praised for its technical complexity.

  3. Commercial Success: "Hysteria" was a commercial success for Muse. It reached the top of the UK Singles Chart and remains one of their most recognizable and enduring songs.

  4. Live Performances: The band often includes "Hysteria" in their live performances, and it has become a fan favorite at their concerts. The song's energy and infectious rhythm make it a standout live track.

  5. Awards: Muse received critical acclaim for "Hysteria." It earned them the NME Award for Best Single in 2005, further solidifying its place as a standout track in their discography.

  6. Music Video: The music video for "Hysteria" features some visually striking and surreal imagery. It adds an extra layer of intrigue to the song's already captivating sound.

  7. Inspiration: According to the band, the song's lyrics were inspired by a feeling of paranoia and anxiety. This emotional intensity is reflected in the song's music and Matt Bellamy's powerful vocals.

  8. Guitar Techniques: The song showcases Matt Bellamy's guitar prowess, with intricate and fast-paced guitar riffs that contribute to the song's overall energy.

  9. Cover Versions: "Hysteria" has been covered by various artists and bands, a testament to its popularity and enduring appeal within the music community.

  10. Legacy: Over the years, "Hysteria" has maintained its status as one of Muse's signature songs and is often included in their greatest hits compilations.

These facts highlight the significance of Muse's "Hysteria" in the world of music and its enduring popularity among fans and critics alike.

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