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"Peer Gynt, Op. 23" is a two-part incidental music composition composed by the Norwegian composer Edvard Grieg for the play "Peer Gynt" written by Henrik Ibsen. Here are some interesting facts about Grieg's "Peer Gynt, Op. 23":

1. Inspiration from Henrik Ibsen's Play: Edvard Grieg composed the music for "Peer Gynt" based on the play of the same name written by the renowned Norwegian playwright Henrik Ibsen. The play follows the adventures and misadventures of Peer Gynt, a charismatic but reckless and self-centered young man.

2. Suite No. 1 and Suite No. 2: Grieg originally composed the music in 1875 as incidental music to accompany the play's performance. Later, he extracted two suites of music from the original score. Suite No. 1 was completed in 1888, and Suite No. 2 was completed in 1891. These suites contain some of the most famous and recognizable pieces from "Peer Gynt."

3. "In the Hall of the Mountain King": One of the most famous pieces from "Peer Gynt" is "In the Hall of the Mountain King." It is part of Suite No. 1 and is used to depict Peer Gynt's encounter with trolls in the hall of the Mountain King. The piece is characterized by its increasing tempo and intensity, creating a sense of suspense and excitement.

4. "Morning Mood": Another iconic piece from "Peer Gynt" is "Morning Mood." This piece, also part of Suite No. 1, is a serene and beautiful depiction of a sunrise over the Norwegian landscape. It is often used to evoke a sense of calm and tranquility.

5. Nationalistic Elements: Grieg's music for "Peer Gynt" incorporates elements of Norwegian folk music, which was an important aspect of Grieg's compositional style. This infusion of folk melodies and rhythms helped to create a distinctive Norwegian flavor in the music.

6. Widely Recognized: The music from "Peer Gynt" has become some of the most recognizable and frequently performed orchestral music in the world. Pieces like "Morning Mood" and "In the Hall of the Mountain King" have been used in numerous films, commercials, and popular culture references.

7. Challenges with the Play's Reception: While Grieg's music for "Peer Gynt" has gained immense popularity, the play itself initially faced challenges in its reception. The play's symbolism and philosophical themes were not immediately understood by audiences, and it took time for Ibsen's work to be recognized as a masterpiece.

8. Peer Gynt Suites in Concerts: The two suites extracted from "Peer Gynt" are often performed in concert settings. They are considered a staple of the orchestral repertoire and are frequently programmed by symphony orchestras around the world.

9. Grieg's Dedication to Norwegian Culture: Edvard Grieg was deeply committed to promoting Norwegian culture through his music. His compositions, including "Peer Gynt," played a significant role in establishing a distinct Norwegian musical identity during the Romantic period.

10. Legacy: Grieg's "Peer Gynt" music has left an enduring legacy, not only in the world of classical music but also in popular culture. Its memorable melodies and evocative themes continue to captivate audiences and contribute to Grieg's reputation as one of Norway's greatest composers.

"Peer Gynt, Op. 23" is a remarkable example of how music can enhance and elevate a dramatic narrative, and its individual pieces have become beloved and recognizable components of classical music repertoire.