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Claudio Monteverdi - Lamento d'Arianna (Lasciatemi morire)

Claudio Monteverdi's "Lamento d'Arianna" is a poignant and historically significant piece. Here are some interesting facts about it:

  1. Context: "Lamento d'Arianna" is part of Monteverdi's opera "L'Arianna," composed in 1607. Unfortunately, the complete opera is lost, and only this lament remains.

  2. Arianna's Lament: The lament is a solo aria expressing the sorrow and abandonment of Ariadne (Arianna in Italian), who was abandoned by Theseus on the island of Naxos in Greek mythology.

  3. Musical Emotion: Monteverdi skillfully captures Arianna's emotional turmoil in the music, using expressive melodies, dissonances, and chromaticism, which were innovative techniques at the time.

  4. Surviving Manuscript: The only surviving source of "Lamento d'Arianna" is a manuscript in the Deutsche Staatsbibliothek in Berlin, which is part of Monteverdi's Seventh Book of Madrigals.

  5. Adaptations and Influences: The lament has been influential, and various composers have adapted or drawn inspiration from it. Its emotional intensity has resonated through the centuries.

  6. Basso Continuo: Monteverdi uses a basso continuo accompaniment, a characteristic of early Baroque music. This involves a bass line supported by harmonies indicated by figures, allowing for a flexible and improvisatory style.

  7. Expressive Text Setting: Monteverdi pays careful attention to the text, using musical devices to convey the meaning of the words. This aligns with the principles of the "seconda pratica" or "stile moderno," emphasizing the expressive power of music.

  8. Impact on Opera: Monteverdi is considered a key figure in the transition from the Renaissance to the Baroque era, and his contributions to opera, including works like "Lamento d'Arianna," played a significant role in shaping the future of this musical form.

"Lamento d'Arianna" stands as a testament to Monteverdi's mastery in conveying deep emotional content through music, making it a compelling piece that continues to be appreciated and studied in the realm of early music.

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