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Johann Sebastian Bach's Concerto for 4 Harpsichords in A minor, BWV 1065, is a fascinating piece. Here are some interesting facts:

1. Bach's Adaptation: BWV 1065 is an arrangement of Antonio Vivaldi's Concerto for Four Violins in B minor, RV 580. Bach was known for adapting and transcribing works from other composers, showcasing his skill in reinterpreting existing music.

2. Harpsichord Concerto: The concerto is unique because it features four harpsichords as solo instruments, accompanied by strings and basso continuo. This was an unusual configuration for the time, as most concertos featured one or two solo instruments.

3. Rhythmic Energy: The concerto is known for its lively and rhythmic character. Bach's treatment of the Vivaldi original brings out the contrapuntal intricacies and rhythmic drive, showcasing his mastery of Baroque counterpoint.

4. Bach's Collaborators: While the piece is often associated with Bach alone, it's worth noting that Bach likely collaborated with his sons on this concerto. His sons, particularly Johann Christian and Carl Philipp Emanuel, were accomplished musicians, and it's believed that they might have contributed to the arrangement.

5. Baroque Concerto Form: The concerto follows the typical three-movement structure of Baroque concertos, consisting of a fast opening movement, a slow second movement, and a lively finale. This structure was a standard format for concertos during the Baroque period.

6. Contrast in Movements: Each movement of the concerto presents a distinct character. The first movement is energetic and virtuosic, the second is slow and expressive, and the third is a lively and rhythmic finale. This contrast is a hallmark of Baroque instrumental music.

7. Contribution to the Harpsichord Repertoire: While harpsichords were often used as continuo instruments in Baroque orchestras, this concerto played a role in highlighting the harpsichord as a solo instrument, contributing to the development of the solo concerto repertoire for keyboard instruments.

8. Legacy: BWV 1065 continues to be a popular and frequently performed work in the Baroque repertoire. Its dynamic and engaging nature makes it a favorite among both performers and audiences interested in Baroque music.