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Bądarzewska-Baranowska, Tekla - La prière d'une vierge, Op.4

Tekla Bądarzewska-Baranowska was a Polish composer and pianist who lived in the 19th century. She is best known for her piano compositions, and one of her most famous works is "La prière d'une vierge" (The Maiden's Prayer), Op. 4. Here are some interesting facts about Tekla Bądarzewska-Baranowska and this particular composition:

  1. Composition Date: "La prière d'une vierge" was composed in 1856 when Bądarzewska-Baranowska was just 21 years old. Despite her relatively short life (she died at the age of 41), this composition became her most well-known work.

  2. Musical Style: The piece is a piano miniatures in the romantic style, which was a popular genre during the 19th century. It is characterized by its expressive and emotive qualities.

  3. Popularity: "La prière d'une vierge" gained immense popularity not only in Bądarzewska-Baranowska's native Poland but also internationally. It became one of the most beloved piano pieces of its time.

  4. Inspiration for the Title: The title translates to "The Maiden's Prayer" in English. The piece is often associated with a romantic and sentimental narrative, reflecting the idea of a young maiden expressing her prayers or dreams through the piano.

  5. Misattribution Controversy: There has been some controversy regarding the authorship of "La prière d'une vierge." Some musicologists have suggested that Bądarzewska-Baranowska might not be the true composer, and the piece might have been written by another Polish composer, Aleksander Michałowski. However, the majority of sources attribute the composition to Bądarzewska-Baranowska.

  6. Legacy: Despite the controversy, Tekla Bądarzewska-Baranowska's legacy is largely defined by this composition. "La prière d'une vierge" continues to be performed and recorded by pianists worldwide, and it remains a popular and enduring piece in the piano repertoire.

Tekla Bądarzewska-Baranowska's "La prière d'une vierge" is a fascinating piece that not only showcases her talent as a composer but also reflects the romantic sensibilities of the 19th century.

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