A virtuosic organ work blending Romantic-era lyricism with technical demands, part of Dubois' celebrated collection "Douze Pièces pour Orgue" composed in 1889.
Composed in 1886 as part of "Douze Pièces pour Orgue ou Piano-Pédalier," this virtuosic toccata showcases Dubois' mastery of counterpoint and keyboard writing. The G major work features rapid passages, intricate pedal lines, and a fusion of Baroque forms with lush Romantic harmonies, reflecting Dubois' role as organist at La Madeleine in Paris.
