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Debussy's Préludes, Book I (1910) revolutionized piano music with atmospheric impressions and non-traditional harmonies. Each piece bears evocative titles added only after completion, like "Voiles" or "La Cathédrale Engloutie."

This impressionistic piano piece from Debussy's first book of Préludes evokes the innocence of a flaxen-haired girl through its flowing arpeggios and pentatonic melodies, reflecting the composer's fascination with Symbolist poetry.

A lyrical piano prelude evoking pastoral tranquility, characterized by its delicate harmonies and flowing melody. Part of Debussy's revolutionary Préludes, Book 1.

A musical depiction of the legendary submerged cathedral of Ys, rising from the waves with organ-like harmonies and bell effects, exemplifying Debussy's impressionist use of whole-tone scales and parallel chords.

This prelude evokes the rhythmic movements of the Delphic dancers from classical antiquity, blending impressionist harmonies with archaic solemnity.