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Composed in 1842, Mendelssohn's "Wedding March" became a global staple for wedding ceremonies after being played at the marriage of Queen Victoria's daughter in 1858. Its triumphant brass fanfare symbolizes matrimonial grandeur.

Mendelssohn's "Wedding March" comes from his incidental music for Shakespeare's A Midsummer Night's Dream. It gained popularity after being played at the 1858 wedding of Queen Victoria's daughter, Princess Victoria, and is now a cultural symbol of matrimony.

This arrangement merges Wagner’s "Bridal Chorus" from Lohengrin (1850) and Mendelssohn’s "Wedding March" from A Midsummer Night’s Dream (1842), both cornerstones of Western wedding traditions.

Mendelssohn's "Wedding March" is one of the most recognizable classical works globally, composed as part of the incidental music for Shakespeare's A Midsummer Night's Dream. It gained popularity after being performed at the wedding of Princess Victoria and Prince Frederick William of Prussia in 1858.

Mendelssohn's Wedding March from incidental music to Shakespeare's play became a cultural phenomenon after being played at Princess Victoria's 1858 wedding, establishing its status as a nuptial staple.