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Schubert's "Erlkönig," composed in 1815, is a seminal Lied based on Goethe's ballad. It depicts a father fleeing with his dying child, pursued by the supernatural Erlking. Liszt's 1837-38 piano transcription (S.558/4) reimagines the vocal and piano parts into a virtuosic solo piece, retaining the work's dramatic intensity. The Romantic era work showcases Liszt's skill in adapting orchestral or vocal music for piano.

Schubert's Lied "Auf dem Wasser zu singen" is a lyrical barcarolle that evokes the gentle movement of waves, reflecting the Romantic era's fascination with nature. Liszt's transcription (S.558/2) amplifies the piano's textures, transforming the song into a virtuosic étude while preserving its poetic essence.

Liszt's 1846 transcription magnifies the drama of Schubert's lied through virtuosic piano writing, transforming the vocal quartet and galloping triplets into a breathtaking solo showpiece that pushes the limits of Romantic pianism.

Liszt's transcription preserves Schubert's melodic beauty while reimagining the vocal line and accompaniment for virtuosic piano. It captures the serenade's nocturnal romance through shimmering arpeggios and singing tones, showcasing Liszt's genius for expanding the piano's expressive capabilities.