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A poetic piano work from Liszt's Swiss travel years, combining watery triplet figurations with Romantic harmony. Part of his first pilgrimage cycle, it reflects both nature impressionism and literary inspiration from Byron.

A cornerstone of Liszt’s Romantic piano repertoire, "Vallée d'Obermann" reflects existential melancholy through its haunting motifs and structural ambition. Inspired by Sénancour’s solitary protagonist, the piece juxtaposes introspective passages with dramatic outbursts, epitomizing Liszt’s "poetic" approach to music. The 1855 revision, stripped of explicit programmatic instructions, relies purely on musical expression to convey its emotional depth.

A virtuosic piano work from Liszt’s Swiss travel years, blending Romantic lyricism with evocative nature imagery. The piece mimics flowing water through cascading arpeggios and delicate harmonic shifts.

A pastoral work from Liszt's Swiss travel years, incorporating an alphorn melody to evoke alpine landscapes. Characterized by flowing arpeggios and a contemplative mood, reflecting Romantic era's nature-inspired aesthetics.

Eglogue is a poetic piano piece from Liszt's "Years of Pilgrimage: Switzerland" cycle, evoking pastoral Swiss landscapes through delicate melodies. Inspired by Virgil's Eclogues and featuring a Byron epigraph, it reflects Liszt's fusion of literature and music. The work exemplifies Romantic-era tone painting with its shepherd song motifs and atmospheric harmonies.