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This prelude, part of Chopin's iconic Op. 28 set, is a brief but emotionally charged work. Composed during his stay in Majorca with George Sand, it reflects the Romantic era's focus on expressive brevity. Though nicknamed by Hans von Bülow, Chopin himself avoided descriptive titles, letting the music speak abstractly.

Prelude Op. 28 No. 18 in F minor by Chopin, part of his iconic set of 24 preludes, is known for its turbulent and dramatic character. Though nicknamed "Suicide" in some informal contexts due to its intense emotional progression, the piece exemplifies Chopin's mastery of harmonic tension and romantic expression. Composed during his time in Majorca, the prelude contrasts starkly with the lighter works in the Op. 28 cycle.

Chopin composed this haunting prelude during his stay at a Carthusian monastery in Valldemossa, Majorca, amid harsh weather and declining health. Its melancholic tone and the marking "smorzando" (dying away) reflect his emotional state. The piece’s association with George Sand’s lost poetic title adds to its mystique.

Chopin's 24 Preludes, Op. 28 revolutionized the genre - these brief but profound piano miniatures cycle through all 24 keys, creating an emotional arc from turbulent passion to serene melancholy. The iconic "Raindrop" Prelude (No. 15) was composed during a storm in Mallorca where Chopin hallucinated he was drowning. Prelude No. 4 in E Minor, known as "Suffocation", was performed at Chopin's funeral and remains one of music's most haunting expressions of mortality.

This somber prelude in C minor, nicknamed the "Funeral March", features dense chords and a relentless rhythmic pulse. Composed during Chopin's ill-fated stay in Mallorca, it became famously associated with his own funeral. The Carl Mikuli edition referenced is considered one of the most authoritative interpretations of Chopin's works.