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This concerto, originally for cello, reflects the transitional style between Baroque and Classical eras. The arrangement for viola and piano by Henry Casadesus popularized the work in the 20th century.

This prelude, with its flowing arpeggiated harmonies, is a cornerstone of the cello repertoire and widely recognized even in popular culture. Its technical and expressive demands make it a rite of passage for cellists.

Part of Bach's iconic set of solo cello suites, the Third Suite in C Major is renowned for its buoyant prelude and lively dance movements, showcasing the instrument's versatility. These suites were largely neglected until Pablo Casals popularized them in the 20th century.

Part of Bach's seminal collection of six cello suites, the Prelude from Suite No. 1 in G Major is renowned for its flowing arpeggios and technical demands, often transcribed for other instruments despite being originally written for cello.

A collection of six suites for unaccompanied cello, masterpieces of the Baroque era, showcasing technical and expressive depth. They were largely rediscovered in the 20th century and are now central to cello pedagogy and performance.