This piece, part of the "Eight Short Preludes and Fugues," is debated among scholars. While traditionally attributed to Bach, stylistic simplicity and clavichord-friendly features suggest it might be by his pupil Krebs. Despite doubts, it remains a staple in organ pedagogy and church performances.
This Baroque prelude and fugue is part of the controversial "Eight Short Preludes and Fugues" collection. Though traditionally attributed to Bach, scholars debate its authorship due to stylistic simplicity, with strong evidence pointing to his pupil Krebs. The pieces were likely written for pedal clavichord, not organ, explaining their distinctive texture.
This prelude is part of the "8 Little Preludes and Fugues" collection (BWV 553-560), originally attributed to Bach but now believed to be composed by Johann Ludwig Krebs or another pupil. Characterized by flowing arpeggios and harmonic clarity, it serves as foundational repertoire for organ students. The C Major version exemplifies Baroque keyboard pedagogy with its bright tonality and contrapuntal simplicity.
