A church cantata composed for the 20th Sunday after Trinity, featuring contrasts between earthly and divine imagery in Salomon Franck's text. Contains rare instrumentation like the corno da tirarsi.
A church cantata composed for the 20th Sunday after Trinity, featuring contrasts between divine grace and human frailty. The score is lost, but reconstructed versions include rare instruments like the corno da tirarsi.
Composed for the 20th Sunday after Trinity, this Weimar-period cantata explores the parable of the great banquet through poetic contrasts. Its opening bass aria employs polyphonic textures with violins, viola, and corno da tirarsi, while the closing chorale uses a melody rarely found outside Bach's and Walther's works.
