Part of Bach's liturgical works for Easter, the Ascension Oratorio (BWV 11) blends narrative from the Evangelist with grand choruses and adapted arias from lost cantatas. Its festive scoring mirrors the Christmas Oratorio.
This work is part of a secular cantata celebrating a monarch, likely composed for a Saxon electoral ceremony. Its festive character reflects Baroque courtly traditions.
A contemplative chorale from Bach's Ascension Oratorio, blending biblical narrative with expressive harmonies. The music contrasts modal chorale melodies with vibrant orchestration, symbolizing hope and fulfillment.
This expressive alto aria from Bach's Ascension Oratorio (BWV 11) features a heartfelt plea to Jesus, set to Picander's libretto. Characterized by its lyrical violin unison lines and emotional depth, it was later reworked by Bach into the Agnus Dei of his Mass in B minor. The present version is arranged for string trio.
Lobet Gott in seinen Reichen, BWV 11, commonly known as the Ascension Oratorio, is a festive work by J.S. Bach composed for the Lutheran service celebrating Ascension Day. It tells the biblical story of Christ's ascension into heaven through a combination of recitatives, arias, and chorales. While the biblical narration was newly composed, Bach cleverly reused music from earlier secular and sacred works for the arias and choral movements, a common practice of the composer. The opening chorus is particularly brilliant, featuring dance-like rhythms and a celebratory character.
