A Baroque-era flute sonata with debated authorship, possibly created as a pedagogical exercise for Bach's students. Its structure reflects transitional experimentation in early 18th-century chamber music.
This sonata, part of Bach's chamber music, showcases Baroque-era interplay between flute and viola da gamba. Its authenticity is occasionally debated, but it remains a staple of the flute repertoire.
This flute sonata, part of Bach's chamber music repertoire, showcases Baroque counterpoint adapted for a solo wind instrument. While catalogued as BWV 1033, some scholars debate its authenticity as an original Bach composition versus a transcription.
Composed during Bach's Köthen period, this sonata exemplifies Baroque chamber music with its intricate interplay between flute and continuo. The work's authenticity is undisputed, though scholars debate whether Bach originally intended it for flute or recorder. Its four-movement structure includes dance-inspired forms characteristic of the era.
This sonata, though catalogued as Bach's work, is debated among scholars. Some suggest it may have been written by a student under Bach's supervision, reflecting his style but lacking definitive authorship evidence.
