This Baroque motet, cataloged as BWV Anh. 159, was long attributed to Johann Sebastian Bach. Modern scholarship identifies it as the work of Johann Christoph Bach (1642–1703), J.S. Bach's uncle. Based on Genesis 32:26, it's a profound example of Lutheran sacred music featuring intricate counterpoint and expressive text setting. Despite the reattribution, it remains closely associated with the Bach family legacy.
Composed for the last Sunday before Lent, the cantata reflects on Jesus's announcement of his suffering in Jerusalem, blending dramatic dialogue and chorales.
This bass aria from Bach's cantata BWV 159 sets Christ's declaration "It is finished" (John 19:30) with profound solemnity. The oboe introduces a meditative motif symbolizing fulfillment, while sudden virtuosic runs illustrate "Now I will hasten." Unlike the famous alto version in Bach's St John Passion, this setting features vox Christi (bass) with restrained string accompaniment, creating intimate spirituality.
This motet "Ich lasse dich nicht" (BWV Anh. 159), long attributed to J.S. Bach, is now believed by scholars to be composed by his uncle Johann Christoph Bach. It features double choir techniques characteristic of the Bach family's sacred works during the Baroque period, with the text referencing Jacob's struggle with the angel from Genesis.
