Part of Bach's seminal collection "The Well-Tempered Clavier" (1722), this D minor prelude and fugue demonstrates rigorous counterpoint while exploring the then-novel concept of equal temperament. The fugue, marked "a 3 voci", is celebrated for its chromatic intensity and structural perfection, influencing composers for centuries.
This prelude and fugue from Bach's Well-Tempered Clavier Book I exemplifies Baroque counterpoint, with the prelude's flowing arpeggios contrasting the fugue's strict four-voice structure.
Part of The Well-Tempered Clavier, Book 1, this prelude and fugue exemplifies Bach's mastery of counterpoint.
The fugue is a three-voice structure with a chromatic subject, showcasing rigorous development and harmonic innovation.
Part of Bach's "The Well-Tempered Clavier," this prelude and fugue exemplifies Baroque counterpoint and harmonic complexity, often used for technical and theoretical study.
This virtuosic prelude from Bach's Well-Tempered Clavier features continuous sixteenth-note triplet arpeggios and complex harmonic progressions, creating a toccata-like texture that challenges performers with its sustained technical demands.