This G major prelude and fugue from Book II of Bach's seminal collection demonstrates intricate counterpoint within the well-tempered tuning framework. The prelude flows with delicate arpeggiated figures, while the fugue develops a bright subject through masterful contrapuntal techniques, showcasing Bach's mathematical precision and expressive depth in equal measure.
Part of Bach's seminal Well-Tempered Clavier, this pair exemplifies Baroque counterpoint and the transition to equal temperament tuning. The prelude's flowing arpeggios contrast with the fugue's rigorous three-voice structure.
A pedagogical masterpiece demonstrating strict three-voice polyphony within the constraints of equal temperament tuning.
This Prelude and Fugue from Book II of The Well-Tempered Clavier showcases Bach's mastery of counterpoint within the equal-tempered system. The prelude features a motoric toccata-style rhythm, while the fugue's subject exhibits playful intervallic leaps typical of Bach's mature style, with voices entering in descending order for structural clarity.
Part of Bach's monumental "The Well-Tempered Clavier" (Book II), this G major prelude and fugue (BWV 884) exemplifies Baroque counterpoint. Composed in 1742, the collection pioneered the use of all 24 keys, demonstrating equal temperament tuning. The fugue features a vibrant subject with playful leaps, contrasting with the prelude's fluid toccata-like passages. It remains a cornerstone of keyboard repertoire, showcasing Bach's mastery of structural complexity within expressive forms.
