This fugue from Bach's Violin Sonata No.1 exemplifies Baroque counterpoint, later arranged for guitar to expand its accessibility.
Part of Bach's seminal set of six sonatas and partitas for solo violin, BWV 1001-1006, this G minor sonata showcases intricate counterpoint and technical demands that pushed the boundaries of violin technique in the Baroque era.
Part of Bach’s seminal collection of solo violin works, BWV 1001 exemplifies Baroque polyphony adapted for a single instrument. Its demanding fugue and improvisatory Adagio set new standards for violin technique.
A groundbreaking work for solo violin, showcasing Bach's mastery of counterpoint and technical demands, originally part of the Six Sonatas and Partitas.
Bach's solo violin sonatas, including BWV 1001, revolutionized unaccompanied string writing with their intricate counterpoint and technical demands, setting a benchmark for future composers.
