Expanding the Music Curriculum: Why Film Music Promotes Diversity and Inclusion
Limiting music study to the Western classical canon — roughly 1750–1950 — offers familiarity but risks perpetuating ethnic, gender, and social blind spots. Film music provides a viable path toward inclusion: composers from every inhabited continent, a vast stylistic spectrum from Gregorian Chant to Minimalism, and real opportunities to question stereotypes. Educators skeptical of replacing core repertoire have a pedagogical tool ready at hand.