Who's behind the notes? Discover Charles-Valentin Alkan: The Enigmatic Virtuoso of the Piano
Charles-Valentin Alkan's "12 Etudes in All the Major Keys, Op.35" is a remarkable and challenging set of piano etudes that showcases the composer's virtuosity and innovation. Here are some interesting facts about this composition:
Technical Difficulty: Alkan was known for composing highly demanding and technically challenging music, and the Op.35 etudes are no exception. They require advanced piano skills and are considered among the most difficult pieces in the piano repertoire.
Unconventional Structure: The etudes are unconventional in their structure and content. Alkan incorporates complex polyrhythms, intricate fingerings, and rapid passages, pushing the boundaries of piano technique during the Romantic era.
Individual Character: Each etude in the set has its own unique character and technical challenges. This reflects Alkan's desire to explore a wide range of pianistic possibilities within a single collection.
Op.35 No. 7: Scherzo Diabolico: The seventh etude, titled "Scherzo Diabolico," is particularly famous and has earned a reputation for its intense and devilish character. It is often performed as a standalone piece due to its distinctiveness.
Rediscovery in the 20th Century: Alkan's music, including the Op.35 etudes, experienced a revival in the 20th century after years of relative obscurity. Pianists and scholars began to recognize the significance of his work, leading to increased interest and performances.
Influence on Other Composers: Alkan's innovative approach to piano writing and his exploration of extended techniques had an influence on later composers, including Ferruccio Busoni and Kaikhosru Shapurji Sorabji, both of whom were known for their own technically demanding piano compositions.
Obscurity and Reemergence: After Alkan's death in 1888, his music fell into relative obscurity. It wasn't until the mid-20th century that musicians and musicologists started to rediscover and appreciate his compositions, including the Op.35 etudes.
Symbolism in Key Selection: The fact that these etudes cover all the major keys may be seen as symbolic, suggesting a comprehensive exploration of the tonal palette available in Western classical music.
Alkan's Pseudonyms: Charles-Valentin Alkan sometimes published his works under various pseudonyms, and Op.35 is no exception. The set was published under the name "Charles Henrion."
Challenges for Performers: Due to the extreme technical demands of the Op.35 etudes, they are not frequently performed in their entirety. Pianists who take on the challenge of performing the complete set often garner attention for their exceptional skill and dedication.
These facts contribute to the allure and significance of Charles-Valentin Alkan's "12 Etudes in All the Major Keys, Op.35" within the realm of piano music.