We have a collection of 2 arrangements for Charles-Valentin Alkan - Marche Funèbre, Op.26 in E♭ Minor
Why is Alkan's Marche Funèbre considered one of the most technically demanding funeral marches in piano literature? Learn!
Who's behind the notes? Discover Charles-Valentin Alkan: The Enigmatic Virtuoso of the Piano
Charles-Valentin Alkan was a French composer and pianist known for his virtuosic piano compositions. His "Marche funèbre, Op. 26" is a striking and enigmatic piece of music. Here are some interesting facts about this composition and the composer:
Mysterious Dedication: The piece is dedicated to a person named "Julie." The true identity of Julie remains a mystery, and it has led to much speculation among musicologists and Alkan enthusiasts.
Unconventional Structure: "Marche funèbre" is not a traditional funeral march. Instead, Alkan infuses it with his unique style, combining elements of mourning with a more whimsical and somewhat eccentric character.
Part of "Trois grandes études," Op. 26: This composition is one of three pieces in Alkan's Opus 26 collection, known as "Trois grandes études" (Three Grand Studies). The other two pieces are "Esquisse" and "Stances."
Remarkable Technical Difficulty: As with many of Alkan's compositions, "Marche funèbre" is extremely challenging to play due to its rapid tempo, intricate passages, and intricate fingering. Alkan's compositions often pushed the limits of what was technically possible on the piano.
Alkan's Obscurity: Charles-Valentin Alkan is a relatively obscure composer compared to his contemporaries like Chopin and Liszt. His music was rediscovered in the 20th century, and he has since gained recognition for his innovative compositions.
A Life of Seclusion: Alkan was known for his reclusive lifestyle and rarely performed in public. His isolation contributed to his relative obscurity during his lifetime.
Pseudonym "Alkan-Jag": Alkan used the pseudonym "Alkan-Jag" for some of his compositions, including Op. 26. The origin of this pseudonym remains unclear.
Obsession with Hebrew Numerology: Alkan had a fascination with Hebrew numerology and often incorporated it into his compositions. In "Marche funèbre," you can find elements related to Hebrew numerology, further adding to its mystique.
Limited Number of Surviving Works: Alkan's output is relatively small compared to other Romantic-era composers, partly due to his seclusion. Only a fraction of his compositions have survived to the present day.
Posthumous Recognition: Charles-Valentin Alkan's music has gained recognition and appreciation in the modern era. His compositions, including "Marche funèbre," are now more widely performed and recorded, though they remain challenging for pianists.
"Marche funèbre, Op. 26" is just one example of Alkan's intriguing and often enigmatic musical creations, which continue to captivate audiences and musicians interested in the works of this unique and somewhat mysterious composer.