We have a collection of 3 arrangements for Robert Schumann - Joseph von Eichendorff - Intermezzo, Op.39 No.2
Which Romantic masterpiece sets Eichendorff's poetry about nocturnal wanderings? Learn!
Who's behind the notes? Discover Robert Schumann: The Tormented Genius of Romantic Music
"Liederkreis, Op. 39" is a song cycle composed by the German Romantic composer Robert Schumann. Here are some interesting facts about this musical work:
Composition Date: Schumann composed "Liederkreis, Op. 39" in 1840, which is often referred to as his "Liederjahr" or "Year of Song." This was an incredibly prolific year for Schumann, during which he composed many of his best-known lieder (German art songs).
Poetry by Heinrich Heine: The cycle is set to poetry by the German Romantic poet Heinrich Heine. Heine's lyrical and often introspective verses were well-suited to Schumann's expressive and emotional musical style. The poems come from Heine's collection titled "Lyrisches Intermezzo."
Cyclical Structure: "Liederkreis" translates to "song cycle" in English, and it refers to a collection of individual songs or lieder that are thematically linked. In Op. 39, the songs are connected both musically and emotionally, creating a cohesive narrative throughout the cycle.
Mood and Expression: Schumann was known for his ability to capture and convey specific moods and emotions in his music. "Liederkreis, Op. 39" is no exception, featuring a wide range of emotions from tender lyricism to stormy passion, reflecting the diverse and poignant nature of Heine's poetry.
Notable Songs: Within the cycle, some of the most well-known and frequently performed songs include "In der Fremde" (In a Foreign Land), "Im wunderschönen Monat Mai" (In the Beautiful Month of May), and "Mit Myrten und Rosen" (With Myrtles and Roses).
Dedication: Schumann dedicated "Liederkreis, Op. 39" to his wife, Clara Schumann. Clara was not only a talented pianist but also a composer in her own right, and she had a significant influence on Robert's musical career.
Piano Accompaniment: Like many of Schumann's lieder, "Liederkreis, Op. 39" is scored for voice and piano. The piano accompaniment is particularly expressive and plays a crucial role in conveying the emotional content of the songs.
Historical Significance: "Liederkreis, Op. 39" is considered a landmark in the history of the German Lied (art song). It exemplifies the Romantic ideals of individual expression, introspection, and the fusion of poetry and music.
Listening to or studying "Liederkreis, Op. 39" provides insights into the Romantic musical landscape of the 19th century and showcases Schumann's innovative approach to the art song genre.