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Beethoven's Piano Sonata No. 30, Op. 109, exemplifies his late style with its introspective variations and fusion of Baroque forms (like the sarabande-themed variations) with Romantic expressiveness. The final movement's theme-and-variations structure, escalating in virtuosity, reflects his innovative approach to classical traditions.

Beethoven's Piano Sonata No. 30, Op. 109, exemplifies his late style with its experimental structure, polyphonic textures, and introspective character. The final movement’s theme-and-variations form, rare in sonatas of the time, culminates in a transcendent fugato, reflecting his fascination with Baroque counterpoint.

Composed during Beethoven’s late period, Op. 109 exemplifies his exploration of cyclical forms and contrapuntal rigor, featuring a visionary final movement with variations that transcend classical sonata conventions.