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A reconstructed double concerto originally thought to be for violins, later adapted for harpsichords, showcasing Bach's contrapuntal mastery in the Baroque concerto grosso style.

This double harpsichord concerto exemplifies Bach's Baroque style, likely transcribed from earlier lost concertos. The C minor key creates a dramatic tension typical of Bach's instrumental works.

BWV 1060 is a reconstruction for two harpsichords, likely based on a lost double violin concerto. It exemplifies Bach's Baroque counterpoint and keyboard virtuosity.

This double harpsichord concerto, reconstructed from a later violin-and-oboe version, showcases Bach's mastery of counterpoint and dialogue between soloists. Its dramatic C-minor key and intricate interplay make it a staple of Baroque repertoire.

This concerto, originally for two harpsichords, is believed to be a transcription of a lost double concerto in D minor. Its intricate interplay between soloists and orchestra reflects Bach's maturity during his Köthen period.