This concerto is a reconstruction, as the original manuscript is lost. It is believed to have been adapted from a lost double concerto for violin and oboe.
This double harpsichord concerto exemplifies Bach's Baroque style, likely transcribed from earlier lost concertos. The C minor key creates a dramatic tension typical of Bach's instrumental works.
BWV 1060 is a reconstruction for two harpsichords, likely based on a lost double violin concerto. It exemplifies Bach's Baroque counterpoint and keyboard virtuosity.
This double harpsichord concerto, reconstructed from a later violin-and-oboe version, showcases Bach's mastery of counterpoint and dialogue between soloists. Its dramatic C-minor key and intricate interplay make it a staple of Baroque repertoire.
This concerto, originally for two harpsichords, is believed to be a transcription of a lost double concerto in D minor. Its intricate interplay between soloists and orchestra reflects Bach's maturity during his Köthen period.
