The Gigue is the final movement of Bach's French Suite No.4, characterized by its lively compound meter, intricate counterpoint, and vibrant rhythmic energy. Composed for keyboard, it showcases Bach's mastery in blending technical brilliance with expressive dance forms typical of the Baroque suite.
The French Suites, BWV 812–817, are keyboard suites by Bach blending French and Italian stylistic elements. The name "French" was popularized posthumously, likely due to their use of French dance forms like the Gavotte, though their structure also reflects Italian conventions.
The Allemande from Bach's French Suite No. 4 exemplifies Baroque keyboard artistry with its intricate counterpoint, elegant ornamentation, and foundational role in the dance suite structure.
The Air from Bach's French Suite No. 4 is notable for its lyrical, song-like character contrasting with the more rhythmic dance movements, showcasing Bach's ability to blend technical mastery with expressive melody.
The name "French Suites" was coined posthumously and likely refers to their lighter style compared to the "English Suites", not their geographic origin. These keyboard suites embody Baroque dance forms and were composed during Bach's service in Köthen.
