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Dvořák’s Symphony No. 9, "From the New World," composed in 1893 during his stay in the United States, is a cornerstone of the Romantic repertoire. The melancholic English Horn solo in the Largo movement is one of the most recognizable melodies in classical music, often performed separately. The symphony blends Bohemian folk influences with American spiritual themes.

Dvořák's 9th Symphony incorporates spiritual and Native American musical elements, composed during his directorship at New York's National Conservatory. The fiery fourth movement synthesizes Slavic and American folk influences.

Composed during Dvořák's time in America, the symphony reflects his fascination with Native American melodies and African-American spirituals, though it remains rooted in European symphonic traditions.

Dvořák's Ninth Symphony, nicknamed "From the New World", was composed during his time in America and reflects his fascination with American folk melodies while maintaining distinct Slavic musical roots. The fiery fourth movement combines symphonic grandeur with memorable thematic material.

This arrangement by Andres Munevar reimagines a work by Antonín Dvořák, a leading Romantic-era composer known for blending folk influences with symphonic grandeur. Munevar’s adaptation may introduce modern nuances while preserving Dvořák’s melodic richness.