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This movement reflects the 18th-century European trend of "Turkish music," characterized by percussive rhythms and exotic scales. Mozart never visited Turkey but imaginatively reinterpreted Janissary band sounds for the piano.

The third movement of Mozart's Piano Sonata No. 11, known as "Rondo Alla Turca" or "Turkish March", imitates the sound of Ottoman Janissary bands, reflecting 18th-century European fascination with exoticism. Its playful rhythm and percussive effects make it one of the most recognizable classical piano pieces.

The "Rondo Alla Turca", third movement of Mozart's Piano Sonata No. 11, imitates the sound of Turkish Janissary bands popular in 18th-century Europe. This stylistic device, called "Turkish music", features percussive effects in the piano's bass register and playful melodies evoking exoticism.

The Turkish March is the third movement of Mozart's Piano Sonata No. 11, renowned for its lively and memorable melody. While the original is a hallmark of the Classical era, the "Jazz Fantasy" version introduces modern improvisational elements, blending Mozart's classical genius with contemporary jazz styles.

The Turkish March (Rondo Alla Turca) is the final movement of Mozart's Piano Sonata No. 11, famous for its lively imitation of Ottoman military band music. Though written in 1783, it became one of the most recognizable classical melodies, often performed separately from the full sonata.